#Job 17-18: God’s Honor at Stake

The Book of Job is known as wisdom literature, primarily consisting of poetic texts. The challenge with this genre is that each verse, while beautiful, cannot be viewed in isolation. Consider Job’s friends who insist that he must confess his sins. Could we not use each of those verses to create the most delightful sermons, along with texts like 1 John 1:8-10? “If we claim to be without sin, we deceive ourselves…” None of us is truly without sin, not even Job! However, Job never claims to be sinless. On the contrary, read the exquisite Job 31.

This is also the last time Job defends himself against his friends’ attacks (see Job 31:40b). It’s as if he and his three friends have thrown in the towel, disappearing from the scene. Then young Elihu steps forward (from Job 32 onwards). We hope that he can provide answers for Job. But later, even Elihu raises his hands in frustration, saying that Job should just confess his sins! (See 34:35-37; 35:16).

Yet, Elihu does something the other three friends did not—he becomes a prophet preparing the way for God. The focus shifts away from Job’s suffering; now God Himself steps forward. Suffering places God’s honor, especially that of the Almighty, at stake. Hence the strong words: “Listen to me while I speak; answer me if you can” (42:4).

Why would it matter to God to listen to a mere creature like Job (or like me or you)? Because that’s who God is: not the silent God. God desires to be known, to be heard. Today. Always.

PRAYER: I praise You, Almighty God, that Elihu also prepares me to listen and respond.

MUSIC:
Today, let’s watch the music video for “Dear Lord and Father,” written by John Greenleaf Whittier in 1872. The performance is by the Gramophone Chorus in Ghana.